I need help analysing weird chord progression
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Here is the progression, bar-by-bar (newline after each 4 bar phrase):
Verse:
D | Bm7 | Gmaj7 | Em9
D | Bm7 | Gmaj7 | Fmaj7
Chorus:
Abmaj7 | Abmaj7 | Abm7 | Abm6
Ebmaj7/G | Ebmaj7 | F7 | F7
Fm7 | Fm7 | Fm7b5 | Bo7 Bb7
The chorus is specifically what I'm looking at. My best guess, as somebody still learning harmonic analysis, is the key center is Eb? Looking at the Bb7 at the end of the chorus. I honestly am pretty lost-- I know there's lots of odd modal interchange and stuff.
theory chords chord-progressions
asked 4 hours ago
grehtswoge
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up vote
2
down vote
favorite
Here is the progression, bar-by-bar (newline after each 4 bar phrase):
Verse:
D | Bm7 | Gmaj7 | Em9
D | Bm7 | Gmaj7 | Fmaj7
Chorus:
Abmaj7 | Abmaj7 | Abm7 | Abm6
Ebmaj7/G | Ebmaj7 | F7 | F7
Fm7 | Fm7 | Fm7b5 | Bo7 Bb7
The chorus is specifically what I'm looking at. My best guess, as somebody still learning harmonic analysis, is the key center is Eb? Looking at the Bb7 at the end of the chorus. I honestly am pretty lost-- I know there's lots of odd modal interchange and stuff.
theory chords chord-progressions
asked 4 hours ago
grehtswoge
111
New contributor
grehtswoge is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
add a comment |
up vote
2
down vote
favorite
up vote
2
down vote
favorite
Here is the progression, bar-by-bar (newline after each 4 bar phrase):
Verse:
D | Bm7 | Gmaj7 | Em9
D | Bm7 | Gmaj7 | Fmaj7
Chorus:
Abmaj7 | Abmaj7 | Abm7 | Abm6
Ebmaj7/G | Ebmaj7 | F7 | F7
Fm7 | Fm7 | Fm7b5 | Bo7 Bb7
The chorus is specifically what I'm looking at. My best guess, as somebody still learning harmonic analysis, is the key center is Eb? Looking at the Bb7 at the end of the chorus. I honestly am pretty lost-- I know there's lots of odd modal interchange and stuff.
theory chords chord-progressions
asked 4 hours ago
grehtswoge
111
New contributor
grehtswoge is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
Here is the progression, bar-by-bar (newline after each 4 bar phrase):
Verse:
D | Bm7 | Gmaj7 | Em9
D | Bm7 | Gmaj7 | Fmaj7
Chorus:
Abmaj7 | Abmaj7 | Abm7 | Abm6
Ebmaj7/G | Ebmaj7 | F7 | F7
Fm7 | Fm7 | Fm7b5 | Bo7 Bb7
The chorus is specifically what I'm looking at. My best guess, as somebody still learning harmonic analysis, is the key center is Eb? Looking at the Bb7 at the end of the chorus. I honestly am pretty lost-- I know there's lots of odd modal interchange and stuff.
theory chords chord-progressions
theory chords chord-progressions
asked 4 hours ago
grehtswoge
111
New contributor
grehtswoge is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
asked 4 hours ago
grehtswoge
111
New contributor
grehtswoge is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
asked 4 hours ago
grehtswoge
111
New contributor
grehtswoge is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
asked 4 hours ago
grehtswoge
111
asked 4 hours ago
grehtswoge
111
111
New contributor
grehtswoge is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
New contributor
grehtswoge is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
grehtswoge is a new contributor to this site. Take care in asking for clarification, commenting, and answering.
Check out our Code of Conduct.
add a comment |
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1 Answer
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Yes, the chorus is in Eb, and it starts on the IV chord:
Chorus
IV7 | IV7 | iv7 | iv***
I6/5 | I7 | V/V | V/V
ii7 | ii7 | iiø7 | viio4/3 ** V7
**Here the Bo7 is operating as an approach from above to the Bb7, as well as arguably adding a tinge of diminished to the Bb7 sound itself (could be construed as a Bb7b9, which actually has all the notes of a Bo7 chord built-in). The reason it is notated as a chord built on degree vii (instead of #V, as B is the #5th note of Eb) is because the notes in Bo7 are also in Do7: B D F Ab -> D F Ab B. Do7 is the fully-diminished leading tone chord in Eb, so I just took it from there and indicated it was in inversion (the 4/3), which gives the correct "layout" of the chord to make Bo7.
*** The Abm6 could be construed as an inversion of F-7b5 (iiø7) for analysis purposes but I'm leaving it as a minor iv chord for simplicity/practicality.
And for the verse (D major):
I | vi7 | IV | ii9
I | vi7 | IV7 | bIII7
The Fmaj7 (bIII7) chord is indeed a modal mixture chord (arguably borrowed from D minor).
answered 2 hours ago
LSM07
45817
+1, great answer!! I wondered about that Fmaj7 chord too. Do you think parallel movement could be a possible explanation (moving down a whole step)? It might be helpful to know what the melody does there.
– jdjazz
1 hour ago
add a comment |
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1 Answer
1
active
oldest
votes
1 Answer
1
active
oldest
votes
active
oldest
votes
active
oldest
votes
up vote
3
down vote
Yes, the chorus is in Eb, and it starts on the IV chord:
Chorus
IV7 | IV7 | iv7 | iv***
I6/5 | I7 | V/V | V/V
ii7 | ii7 | iiø7 | viio4/3 ** V7
**Here the Bo7 is operating as an approach from above to the Bb7, as well as arguably adding a tinge of diminished to the Bb7 sound itself (could be construed as a Bb7b9, which actually has all the notes of a Bo7 chord built-in). The reason it is notated as a chord built on degree vii (instead of #V, as B is the #5th note of Eb) is because the notes in Bo7 are also in Do7: B D F Ab -> D F Ab B. Do7 is the fully-diminished leading tone chord in Eb, so I just took it from there and indicated it was in inversion (the 4/3), which gives the correct "layout" of the chord to make Bo7.
*** The Abm6 could be construed as an inversion of F-7b5 (iiø7) for analysis purposes but I'm leaving it as a minor iv chord for simplicity/practicality.
And for the verse (D major):
I | vi7 | IV | ii9
I | vi7 | IV7 | bIII7
The Fmaj7 (bIII7) chord is indeed a modal mixture chord (arguably borrowed from D minor).
answered 2 hours ago
LSM07
45817
+1, great answer!! I wondered about that Fmaj7 chord too. Do you think parallel movement could be a possible explanation (moving down a whole step)? It might be helpful to know what the melody does there.
– jdjazz
1 hour ago
add a comment |
up vote
3
down vote
Yes, the chorus is in Eb, and it starts on the IV chord:
Chorus
IV7 | IV7 | iv7 | iv***
I6/5 | I7 | V/V | V/V
ii7 | ii7 | iiø7 | viio4/3 ** V7
**Here the Bo7 is operating as an approach from above to the Bb7, as well as arguably adding a tinge of diminished to the Bb7 sound itself (could be construed as a Bb7b9, which actually has all the notes of a Bo7 chord built-in). The reason it is notated as a chord built on degree vii (instead of #V, as B is the #5th note of Eb) is because the notes in Bo7 are also in Do7: B D F Ab -> D F Ab B. Do7 is the fully-diminished leading tone chord in Eb, so I just took it from there and indicated it was in inversion (the 4/3), which gives the correct "layout" of the chord to make Bo7.
*** The Abm6 could be construed as an inversion of F-7b5 (iiø7) for analysis purposes but I'm leaving it as a minor iv chord for simplicity/practicality.
And for the verse (D major):
I | vi7 | IV | ii9
I | vi7 | IV7 | bIII7
The Fmaj7 (bIII7) chord is indeed a modal mixture chord (arguably borrowed from D minor).
answered 2 hours ago
LSM07
45817
+1, great answer!! I wondered about that Fmaj7 chord too. Do you think parallel movement could be a possible explanation (moving down a whole step)? It might be helpful to know what the melody does there.
– jdjazz
1 hour ago
add a comment |
up vote
3
down vote
up vote
3
down vote
Yes, the chorus is in Eb, and it starts on the IV chord:
Chorus
IV7 | IV7 | iv7 | iv***
I6/5 | I7 | V/V | V/V
ii7 | ii7 | iiø7 | viio4/3 ** V7
**Here the Bo7 is operating as an approach from above to the Bb7, as well as arguably adding a tinge of diminished to the Bb7 sound itself (could be construed as a Bb7b9, which actually has all the notes of a Bo7 chord built-in). The reason it is notated as a chord built on degree vii (instead of #V, as B is the #5th note of Eb) is because the notes in Bo7 are also in Do7: B D F Ab -> D F Ab B. Do7 is the fully-diminished leading tone chord in Eb, so I just took it from there and indicated it was in inversion (the 4/3), which gives the correct "layout" of the chord to make Bo7.
*** The Abm6 could be construed as an inversion of F-7b5 (iiø7) for analysis purposes but I'm leaving it as a minor iv chord for simplicity/practicality.
And for the verse (D major):
I | vi7 | IV | ii9
I | vi7 | IV7 | bIII7
The Fmaj7 (bIII7) chord is indeed a modal mixture chord (arguably borrowed from D minor).
answered 2 hours ago
LSM07
45817
Yes, the chorus is in Eb, and it starts on the IV chord:
Chorus
IV7 | IV7 | iv7 | iv***
I6/5 | I7 | V/V | V/V
ii7 | ii7 | iiø7 | viio4/3 ** V7
**Here the Bo7 is operating as an approach from above to the Bb7, as well as arguably adding a tinge of diminished to the Bb7 sound itself (could be construed as a Bb7b9, which actually has all the notes of a Bo7 chord built-in). The reason it is notated as a chord built on degree vii (instead of #V, as B is the #5th note of Eb) is because the notes in Bo7 are also in Do7: B D F Ab -> D F Ab B. Do7 is the fully-diminished leading tone chord in Eb, so I just took it from there and indicated it was in inversion (the 4/3), which gives the correct "layout" of the chord to make Bo7.
*** The Abm6 could be construed as an inversion of F-7b5 (iiø7) for analysis purposes but I'm leaving it as a minor iv chord for simplicity/practicality.
And for the verse (D major):
I | vi7 | IV | ii9
I | vi7 | IV7 | bIII7
The Fmaj7 (bIII7) chord is indeed a modal mixture chord (arguably borrowed from D minor).
answered 2 hours ago
LSM07
45817
answered 2 hours ago
LSM07
45817
answered 2 hours ago
LSM07
45817
answered 2 hours ago
LSM07
45817
45817
+1, great answer!! I wondered about that Fmaj7 chord too. Do you think parallel movement could be a possible explanation (moving down a whole step)? It might be helpful to know what the melody does there.
– jdjazz
1 hour ago
add a comment |
+1, great answer!! I wondered about that Fmaj7 chord too. Do you think parallel movement could be a possible explanation (moving down a whole step)? It might be helpful to know what the melody does there.
– jdjazz
1 hour ago
+1, great answer!! I wondered about that Fmaj7 chord too. Do you think parallel movement could be a possible explanation (moving down a whole step)? It might be helpful to know what the melody does there.
– jdjazz
1 hour ago
+1, great answer!! I wondered about that Fmaj7 chord too. Do you think parallel movement could be a possible explanation (moving down a whole step)? It might be helpful to know what the melody does there.
– jdjazz
1 hour ago
add a comment |
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